It supplies GeoRSS feeds, saves KML files, has a search API, and has a smart-phone optimized version which works as a web app.
Scs fotostation windows#
It runs on a Windows server with data in SQL Server or PostgreSQL.
Scs fotostation plus#
It is an media database with taxonomies, geotagging and search, plus various options for watermarking or restricting access. The product was originally developed as a custom web app for the City of Philadelphia in 2005, and they decided to spin it off into a product. Being web based, it works well for organizations that wish to work together as part of a consortium. Sajara is an web-based collection management system centered on digital media (photos, maps, documents, multimedia) with geographic metadata. Their smallest customer is a one man operation, and their largest are national museums like the Rijksmuseum in Amsterdam and the National Museum of Ireland.Īzavea - $15-90k. Data can be stored locally or remotely, and there are many export options via a well-documented API. See a demo of the standard front-end for the public, and a custom front-end (switch to English) which was created using their API.
Scs fotostation archive#
The full package of museum and archive features with a few users is in the $15-30k range. Prices depend on the number of administrative users and chosen features. An iPhone app is coming this summer, and Silverlight based in Fall 2012. NET, with data stored in SQL Server, Oracle, or a stand-alone file system.
Scs fotostation software#
Adlib launched their first product in 1982, running on minicomputers, and now running on desktops, web browsers and mobile. Their Adlib Museum software is in use at 1.6k institutions in 25+ countries.Īccording to managing director Bert Degenhart Drenth, the unique benefits are: (a) Flexibility, museums can configure the system in any way they like (b) Optional modules for Libraries and Archives (c) An open and well documented API that can be used by third parties (c) Mobile hand held device apps that interface with the collection management system for logistic purposes using bar code and/or RFID tags, called the “Adlib Mobile Suite ” (d) Free versions for small museums or private collectors with fewer than 5k objects (e) Completely multi-lingual with 6 languages (f) A plugin for Microsoft Office. There too, a line is blurring, as handheld audio tours and online collections can draw data from the same database.Īdlib Information Systems - Free-$140k. The newest revolution is in mobile devices.
Now, since many objects are photographed, the line between collection management and digital asset management is blurred. At the same time, with the explosion of digital images and video, a new software genre, for managing digital assets, was born. The challenge was that the server in the broom closet was not designed to host millions of hits from the internet, so vendors created separate “web” modules to make put the collection on the web. Since the late 1990’s and the growth of the Internet, collection management software had a new job: to also make collections available to museum users (“the museum without walls”). Many are stale, ugly, yet highly functional legacy systems that run on old Windows PCs, saving data on a server which the museum keeps in a broom closet.
Collection management systems were designed around the needs of back-office staff who were continually editing data records about museum objects. The earliest museum automation traces to the late 1960’s, when the Met used mainframe IBMs to give museum staff access to collection information. Museums and archives manage information about their collections, facilitate interdepartmental communication, and make collections available to the public using collection management software. Here’s a rundown of the collection management systems being exhibited at Museums and the Web 2011…
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